I am often intrigued by images that are visually
spare, although I tend to favor a measure of compositional complexity in many
of my own paintings. The work
that captures and holds my interest is generally modest in its making and conveys
an essential experience—sometimes meditative, sometimes playful. Collages by Jean Arp, paintings of Blinky
Palermo, or small Tantric paintings are among the gems that come to
|page from Tantra Song|
It is in this spirit that I offer some thoughts on
the work of Altoon Sultan. In recent
years, Sultan has been painting intimately scaled abstractions with images
derived from tools and farm implements that she encounters near her home in rural Vermont. These egg tempera on parchment paintings (some as small as 4 x 6") are elegantly composed and often spatially complex. You can see a selection of these paintings by clicking here.
However, it is in
Sultan’s prints and textiles that I find connections to a more minimalist
aesthetic, but with a twist. Working with iconic geometric forms, her
circles, squares, and triangles are sometimes presented in symmetrical arrays, while in other works they appear to frolic across an open field. Sultan
is also an avid explorer of materials, producing potato prints, cardboard prints, as well
as digital prints. Her textiles include hooked wool drawings (which often
incorporate egg tempera), as well as what she describes as “ruglets”, small wall
hangings made from hand dyed wool hooked on linen backing. Many of the prints
have a palette of subdued earth tones, while the textiles are often brightly
Prints generally incorporate simple forms arranged symmetrically on
the page and concisely titled with the name of the shapes—no pretensions here.
The forms are irregular in both shape and inking, and imbued with a hand-made,
humble quality. To see more recent potato prints by Sultan, click here.
|Sultan, Vertical Three, 11 3/4 x 6 1/4"|
|Sultan, Four Square, 2012, 12 x 10"|
|Sultan, Five Circles, Four Squares, 2012|
17 3/8 x 15"
Once again, using an everyday material in making
the Cardboard Prints, Sultan works with
basic geometric forms arrayed in simple patterns. In this series, Sultan’s
compositions are simultaneously pared down and rhythmic. The somewhat irregular
shapes offer a sense of possibility, without complications.
|Sultan, Green Rounds, 2012, image 10x10"|
|Sultan, Split Circles, 2012, image 10 x 6 3/4|
|Sultan, Baby Blue, 2012, 16 1/2 x 28"|
Wool Drawings can be seen as a bridge between her prints and her
hooked wool ruglets (below).
Incorporating hand dyed wool as well as egg tempera on linen, these
drawings leave much of the field bare, and offer a range of tactile experiences
as the forms float and bounce over the ground.
|Sultan, 2012 #12, hand dyed wool and egg tempera on linen, 14 x 12"|
|Sultan, 2012 #16, hand dyed wool and egg tempera on linen, 14 1/2 x 12"|
|Sultan, 2012 #17, hand dyed wool and egg tempera on linen, 15 x 11 1/4"|
Although continuing to explore conversations
between simple geometric shapes, Sultan’s Hooked
Wool Textiles (which are intended as wall-hangings) take us in a somewhat different direction. The very tactile nature of these pieces would seem to lead us away from the minimalist
sensibility of the prints, yet they are first and foremost explorations of figure and ground. The often vibrantly hued textiles are composed of
numerous ‘strokes’ of hand dyed hooked wool, which create a rich texture and lush surface activity.
|Sultan, Purple Push, 2009, 10 x 21.5|
|Sultan, Blue/Yellow Ground, 2012, 11 x 10|
|Sultan, Objects #4, 2011, 9 x 15|
|Sultan, Red / Blue Ground, 2011, 11 x 10|
|Sultan, Empty Center / Blue Brown, 2011, 9 x 9|
|Sultan, Four pieces from the Figure/Ground series|
These textiles are
exquisite balancing acts -- placing simple forms in
tension with one another and in tension with the edges of the image. As with the prints, the slight irregularity
of the forms allows them to breathe and also brings some levity into the formal
conversations. For me, Sultan's explorations in printmaking and textiles provide an ongoing source of visual delight, as they offer a minimalist sensibility along with a dash of wit.
Sultan is quite prolific and the images pictured here provide only a small sampling of her work.
You can see more of Sultan’s prints by clicking here and
more of her textiles by clicking here. You can also search her blog for additional images from these series.
Fabulous! Thank you for posting this wonderful array of Altoon's rugs/ruglets/painted textiles and potato and cardboard prints. A feast for the eyes. Playful, soft-edged, colorful, and so so rich!ReplyDelete